Lock, stock and Heart EveryNow
The attractive power of these images depends largely on the natural flower colours on which the algorithms work. The pleasure in these patternings is connected with the organic chaos made by the application of geometry algorithms.
Colours found in the worlds of animal, vegetable and mineral, when placed side by side, do not clash, displease or revolt our senses. Musical notes we produce are harmonious to us, with few exceptions.
I often wonder who can tell me more about our human perceptions of the natural environment and our ways of relating, on varying scales of pleasure, to the colours and organic forms we see throughout the natural world on the one hand, and the harmonies of musical sounds we produce or hear on the other hand?
For sure, the answers relate to human beings themselves as organisms seamlessly intrinsic to this natural world which births us all.
The View at 72+ 