
Author: Peter Pilley
Some centuries ago near Tollard Royal

“Dull sublunary lovers’ love…” from The Kiss, by John Donne
This tree has begun to take root with me.
I’d taken some wrong turns on my solo hike. I began to find my bearings again. I was about a mile from a pretty stone-built village with a church, bus shelter and a public phone, where I’d agreed to rendezvous with a man at the end of his day’s golf at Tollard Royal for a lift back to the Compasses Inn, Tisbury. It was in 2013.
Following my nose, not any path, I descended from a ridge. I called to a young man seated in the yard of a huge farmhouse, and I asked the way to the village. He was well spoken. The impressive building was clearly centuries old.
I thanked him and about a half mile further and 50 yards off and to the left of the single track tree-lined lane stood the majestic tree in this photo.
The sense of its obvious undamaged longevity, its benign warmth and silent fertility, made me direct all of my attention to it. The afternoon was a hot one. A mare and her foal were standing in the shade nearby.
I caught something of its own ancient yet fresh pleasure at being safe and well for so very long in this particular place.
Five years later, I took the time to scrutinise Google Maps. I used Terrain and Satellite view on my smartphone. I followed remembered landmarks, beginning with the golf course near Tollard Royal, where my lift was coming from.
With the confirmation of Street View, and recall of the scenes I had paused to photograph in the little village, in under an hour I had located my tree!
It stands halfway between Berwick St John and the ancient farmhouse, which sits at the foot of a ridge – part of a watershed valley – at the end of Woodland Lane.
I cannot forget the friendliness I felt during the short time we were in each other’s company.
I long to say hallo again. Now I know I can. The round trip by bus from Bournemouth will take only half a day.
… … …
Here on a sunny day, 25 Feb, five-and-a-half years later, the story continues…
The weather and the auguries are propitious for undertaking the public transport journey.
I got off the bus at 2:30 on this Monday in the charming little village of Berwick St John, whose pub, the Talbot, is unfortunately closed Mondays.
The bus timetable allows three hours to find and re-friend my tree, some ten minutes walk away.
Alas, poor tree. Last year’s winter blasted and blew down its majestic crown. I look on reluctant to believe this is the same tree.
We all react to dramatic news with a spasm of disbelief. I see no limbs on the grass flood plain, no branch litter. With care the estate workers have removed them all. It is beyond doubt my tree, or its remnant, that is marking time here now.
We spend a while keening together. All is change.
I climb two fences, and make my way uphill to a circle of ancient beeches standing out on top of perhaps a man-made tumulus.
Here is a new bench, and surprisingly an unmarked, freshly dug grave. The occupant has a panoramic view over his estate.
I learn later, from “Pontibus”, my impeccably courteous lift, a teacher of Latin to ecclesiastics hereabouts, that the large vase of white lilies is Anka Dineley’s tribute to her beloved husband, Peter, recently deceased.
Indeed, after admiring the view for a short while from the heights of this sacred grove – surely it is a tumulus – I meet Widow Dineley. She has climbed here to tend to the grave, and we shared a moment of respect for the dead.
Among the photos I took on this Sun-filled early spring day, full of the signs of returning life, was one of the ground at my feet near this grave.
Shotgun cartridges, green and red, were trodden into the ground by those who had come here to gain the advantage of height against their prey.
Later that day I came to see the whole picture. This day of presence in solitude and solitary witness showed to me yet again both strident and subtle signs of the changes in every place I tread, in every horizon’s direction I am drawn to by my seven decades of gazing.
With the sun going down, I hitch-hiked the sparse traffic in both directions, rather than wait more than an hour for the last bus to Salisbury.
Along the dozen miles to Nunton, my driver and I exchanged brief lives in the delicate, age-old customary codes of respect between travelling strangers.
I was told the farm and its large estate lands I had stumbled across so long ago was owned by Francis and Peter Dinely, long-time important actors in this country stage. Peter, a member of this old, respected land-owning family, is now mourned by his widow.
The tree is toppled, reduced all suddenly from its former nobility by the winds of time.
The chalk downland landscape here, with its life-cycle complement of trees, boundary stones, archeology of the Mesolithic, Neolithic and Bronze Ages, carries its prehistoric ramparts and funerary mounds like music notes scored on the earth.
Slower than a giant’s breath, the notes are being rearranged, muted, and reconstructed by the decades.
The stone boxes people live in are changing season by season, as the new inhabitants sing the old songs according to melodies unrecognisable to those at rest under their hallowed ground.
My tree friend is still my friend. We will remain linked. Our separate life cycles are forever united.
We are both a little more blasted. We have changed together. These felled angels are not to be pitied, they do not look to us to possess a life they do not own.
This land echoes to the orchestration of universal country sounds familiar to every ancestor. The soundscape of humility and gratitude for living – cawing crows, piping robins, wildfowl screech, siffle of hovering hawk.
What we share in common, with tacit friendliness my tree and I, is the sacred sweet precession – the continuum of change.
~ Love is present EveryNow
A simple time traveller

My old road will rearrange and recrystallise to recreate – like resolidified titanium – my new spiritual bones.
Mystery of EveryNow

The Biodanza effect. Do I dare to hope?
MiniEveryNow

, these tiny awakenings
(ah my heart flip-flops)
are sufficient joy for a lifetime.
In a moment
🔥 The way is lit ⚡
⛲ The way is lit 🌄

* Fires of Passion *

The stars burn, sing and shout

“Do the stars cowl themselves in darkness and doubt?”
It’s what we are all about!!!
~ I am tendril ~

A bit iffy

Ninety-nine point wotsitnine percent of blooming life is “a bit iffy”.
That’s the charm of it.
The rest perpetually defies all understanding.
And that is so comforting
~ Love is present EveryNow
Grow, move, seek, greet and dance



Good EveryNow

I love my Angel

🐾 🕷️ 🐞Caterpillars, pupae, butterflies 🦋 🐜

I grew up in a rural spot, an isolated hamlet of thatched cottages scattered around a large cow-pasture.
We used well-water. No one had running water. For drinking, cooking, washing, householders used water drawn from wells, or from rain-water butts.
One cottage had a spring in the garden next to their vegetable patch. There was no mains gas, piped drinking water, or electricity in Sedrup Green, Buckinghamshire, until the 1960’s.
At one side was Sedrup Farm. Sedrup used to be a Green. That’s to say, a grassy area over which local residents, mostly families of farm labourers, enjoyed the right to graze their livestock: donkey, cow, goat or sheep. Owning a horse was beyond the reach of the people.
In 1934, when my parents had bought their ‘country’ cottage 45 miles from London, a donkey had been housed in the room with its beaten earth floor adjacent to our kitchen.
These are the tranquil spaces of green fertility I remember and so clearly recall, as the 1940s melted into the hot summers of the 1950s.
The deep blue skies were mine to roam under. Places all mine to explore and to wonder at.
Tall only as the tallest grasses, my sphere of awareness, my operational horizon extended from my feet to my head and two paces forward.
Here movement and attention was always dominated by insect life!
If I had any aesthetic response to the endless multiplicity of insect markings and bright colouring, it was present as an admiration of their symmetry and in my absorption in their extreme detail.
What my toddler self, free to wander at will in complete security, was mainly given over to was attention to the discovery of the new.
My personal paradise was still untouched by the application of agricultural pesticides on industrial scales.
Insect life teemed. There was no question, no uncertainty about whether they would be seen outside my home, they were everywhere. On fresh cowpats, on, under and inside leaves.
Insects thronged the mixed grasses. Tree bark hid more, leaf litter almost heaved with insects. Their tiny winged squadrons dithered in shafts of sunlight. Mud puddles twitched to the dance of their skips. Larvae, big and small, ducked out of sight at my approach to ponds and rainwater butts.
If I moved very slowly at the foot of the old stack of straw near the boggy centre of the pasture, I might see tiny new frogs hopping about!
I didn’t catch the insects. I listened and looked at them. I wondered at their legs, their eyes, their hairs. I was fascinated to watch the way they articulated their many-legged segmented bodies.
I was specially drawn to the obvious questing curiosity displayed in the waving of their antennae. Of course I knew these were receptors. After all, cats and dogs have them. And why were our own human H-shaped ones fixed on rooftops, if not to capture TV signals?
So I asked myself what was it they were tuning into? Try as I might, I never detected the external sensory input that triggered their sudden disappearance by flight or jump.
From these beginnings, when I simply accepted the endless novelty of life forms that presented to my eyes, I began to ask questions of grown-ups.
I saw picture books with the stages in the life of a butterfly. Later on I went out with a magnifying glass. Then I looked at some of these animals under a microscope.
I pieced together enough of the story of the animate life I was immersing myself in to satisfy my basic curiosity and I carried on exploring, discovering.
I had no vision of myself in another frame of reference. I had no idea I was a little child in a paradise.
There was a depth of meaning and an intensity I brought to my examination of my bubble of vision which was not self-referential. I did not authorise my toddling enjoyment. I engaged in no internal conversation from alternative perspectives.
I remember nothing insistent or harassing about my mind-chatter at that age.
When I try to get inside my happy head again, I hear a kind of sing-song melody at low-volume, rather than words of conversation.
Today, some six-and-a-half decades later, I can blend with ease this old body of mine into that fresh, leggy boy’s body, as he walks so slowly among his grass-hoppers, crickets and ladybirds.
I can be with his mild boy brain, I can share in his thoughtless thoughts. I can thrill to his surprise as he focuses at millimetre level, closer than my old man’s eyes will function unaided today.
Though those insects are no more, and though most of their species’ descendents are no more, I still burn!
I burn with an incandescent, unending, overflowing gratitude for their brief, busy little lives.
I burn flameless bright with the love and compassion for all living sentient beings which their brief lives awoke in the heart of my little life forever
~ Love is present E v e r yN o w
THAT WAS THEN… AND NOW
꧁༺ ❀🌿🩶☘️❀ ༻꧂
And now I will soon be 80. Here, now, I examine new understanding I receive from a life lived in contact with butterflies, pupae, grass-hoppers, ladybirds…
I was escaping not from school or from my friends, but from my self. I immersed myself in mindfulness long before I became aware of any sort of commoditised fashion for mindfulness.
I immersed myself, I allowed myself completely to be lost to the Big Green, my own phrase for Mother Nature. I did so because some urge to discover impelled me. This went beyond a young man’s inrerest in finding out what the countryside looked like, or in testing my physical endurance.
In those days as a young teenager, I slipped so quickly into a pleasant walking reverie, that I never thought objectively about why or how this was so. I didn’t ask myself why I was impelled to do this, nor if I shared this strong experience with others.
Of course, I had no words then to qualify my thoughts. These days, I put my best endeavours towards sharing with others the vast power of peace and love I experience in the present moment, and which I call EveryNow.
My deep conviction that it is important to share this stems from my vivid memories of a wide range of delightful and beautiful sensory impressions I gained from toddling in the high summer grasses of a large lush, insect rich, cow pasture in front of the thatched cottage my parents owned and visited every weekend.
I began serious regular solo backpacking in 1978. To complement it and reinforce the experience, I started a powerful way to accentuate and appreciate the moment of recording a scene.
I count myself extremely fortunate that I have the gift of total recall of every moment I press the shutter when I take a photo in a state of awe and admiration. I can retrieve the instant, and, more than that, I feel the immediate sensory impressions surrounding the moment of shutter release.
Often I will be gratified to relive the entire circle of sensory, emotional, physical and locational subjective experience of the captured moment.
I have never analysed my solo walks and long cycle rides while at Frensham Heights school from this perspective of relived childhood bliss. The memories I’m writing about came back in conversation with a school friend.
Years of unselfconscious discipline of mindful focus on the natural world in my teens and twenties helped me fill up the reservoir of vocabulary which inspired my regular practice of written mindful journaling that I try to bring to my EveryNow blog.
Good good morning

🌱 See it sing it dance it ♥️
A Spoken Lullaby
20131113, 00:23 During guided relaxation in one of my first Yoga classes I began to float untethered in the Solar System. Pretty soon I found I can float at will into the furthest arms of the Milky Way.
It marked the throwing down of the last illusions that my imagination, my own, or any person’s potential, has limits.
{ Elsewhere on my BLOG, you can listen to this in an extended version as a Guided Relaxation. Go to PeterOdactyl on Soundcloud }
°°°°
A spoken lullaby
The spiral arms of the Milky Way galaxy are the awe-inspiring, dewy jewelled reminder that we too take our being from and in them.
As you relax into the magic arms of sleep,
so conjure up for yourself the image of the entire stellar island universe in glorious 3D.
It is all yours to wonder at. All the stars and all the luminous clouds.
Yours now in every direction you look.
Take the Galaxy while it hangs grandly silent and glowing.
Hold it, enfold it so gracefully and – with closed eyes and enwrapped in its beauty – take it into you.
Let it complete a rotation. Invite it to sparkle within your mind a while. Then, oh then, allow it to take its solemn majesty inside your body.
Here you are – relaxed happy – with the best of all possible companions to cherish and to love.
It will be there for you, within you, magically yours to float in, here and there, here and there, for all time when you wish it so.
See them. The trillion trillion eyes smile on you. See.
They will remain bright all, all around you and shine on you always, as you drift dark into restful darling sleep.
Aloud down the green lanes

Any day
to say Yes.
Pick a time,
a time that presents,
to say Love.
Pick Love,
Pick Yes,
And say I do, I love.
Say I love long and
Aloud down the green lanes
And back again.
Chorus with the rain-gurgling earth
Shout out love
How do you surf?
